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“Blood,” an episode that would be perfectly at home in 2018, was way ahead of its time in 1994.ġ7. What there’s no denying is the episode, written/helmed by Anderson, is a major one: A blast from Scully’s past causes her to reconsider the path she took in life.Įlectronics flash messages compelling people to commit murder. But just look at this:įans still debate whether this hour is the first time Mulder and Scully slept together. OK, the idea of living post-death because of artificial intelligence is also fascinating. It took 11 seasons and two films, but Mulder and Scully finally become full-on action stars. Mulder and Scully on the run, prepping to take on a potential 2012 alien invasion, leave viewers with the hope that things would, somehow, work out.
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Yes, it could be perceived as a little cliche - Mulder is put on trial (and subsequently sentenced to death) for a crime he didn’t commit, which allows for a lot of exposition, flashbacks, and familiar faces to return - but it wraps things up just enough.
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Of the many potential finales the series had, its original two-part series closer felt the most satisfying. “The Truth” (Season 9, Episodes 19 and 20) Offscreen, the hour was the only episode of the series to be pulled from reruns/syndication.Ģ1. Case in point, the incestuous Peacock family. The digs get personal and passive-aggressive.Īlthough the drama was known for its monsters and supernatural beings, humans often caused the most trouble.
After sharing a missing nine minutes (apparently time is not a universal variant!), light vandalism of a public road and a near breakdown in a graveyard, Mulder’s basement office (home of the “FBI’s most unwanted”) gets a permanent second occupant.Ī rare planetary alignment causes mayhem in a small town - and an investigating Mulder and Scully to bicker like children. The duo are polar opposites, but push one another outside of their comfort zones. Scully, a medical doctor, is partnered with Mulder in the X-Files unit in an attempt to debunk the paranormal work he is investigating. And the monster of the week is made of trash. However, the use of flashbacks feels more natural, as they genuinely add to the story as well as making the audience think “Oh my goodness they’re babies!” when suddenly confronted with 1995 Mulder, while it is presumably an unfortunate coincidence that any child of the 90s will take one look at the location ‘West Philadelphia’ and have the theme song to The Fresh Prince Of Bel-Air stuck in their head for the rest of the day.Mulder and Scully were never the traditional types, so watching them go undercover as a married couple in a neighborhood obsessed with the rules was arguably the most out of their element viewers ever saw them.
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The mini-series is still a little bit under-confident about itself, still shoe-horning in references to age and the passage of time rather than feeling free to be its own thing in the here and now, with references to Scully’s three-inch heels from “back in the day” reminding us yet again, unnecessarily, that this is a story with a lot of history. Like Mulder And Scully Meet The Were-Monster, this is an episode that feels much more comfortable in its skin, much more like just another episode of The X-Files, than the first two.
Where Home drew its horror from a twisted physicality, Home Again draws both horror and hope (Scully says “I wanna believe” again) from the idea of a mental and spiritual connection that goes beyond the physical. The episode draws a link between this creature created from the mind (in this case, with a physical body created more practically, by hand) and the connection of a mother with a child she has given birth to, even if physically separated. It may look like a golem, but it is actually a tulpa, a creature born entirely of thought and belief. In this case, the monster is definitely paranormal. Home was one of the few episodes of The X-Files in which the ‘monster’ of the week was revealed to be entirely human, monstrous only in the metaphorical sense. Her loss is felt by the viewer in a way only possible in a series that has been going since 1993, and even without her last words (interestingly, addressed to Mulder rather than Scully, ensuring that he is firmly established as part of the Scully family), her death would surely re-open the wound that is the loss of William for Scully.Īnother contrast between this episode and Home lies in the answer to the mystery of the week. Scully’s mother, the last remaining parent (not counting Cigarette Smoking Man, who may or may not be Mulder’s biological father) was always a steady rock on this show, somehow keeping it together through one family tragedy after another, a character you always felt pleased to see on screen because you knew it meant someone was about to talk some sense at some point.